‘A lovely, uncynical thing’ – Glastonbury newspaper celebrates 10th year
‘(It is) written by people from the festival, on the festival, during the festival,’ said Adrian Manning.
Glastonbury Festival’s resident newspaper is celebrating its 10th year in residence, with one member of the printing team saying “people didn’t used to know who we were – now everybody knows about us”.
Since its launch in 2013, the Glastonbury Free Press has offered news from across the festival at Worthy Farm in Somerset – it is printed on site at the festival with a vintage five-tonne Heidelberg printing press, which itself turns 70 this year.
Glastonbury co-organiser Emily Eavis told the PA news agency: “We like the idea of providing a newspaper – it’s quite old school now, many people don’t read newspapers anymore, but we produce this paper which is just entirely for the world that we’re in for these five days.”
“(It is) written by people from the festival, on the festival, during the festival,” Adrian Manning, who leads the printing team of the Glastonbury Free Press, told PA.
“It’s an interesting thing as well as being an information point.
Chris Salmon, who has written for every edition of the Glastonbury Free Press since its inception in 2013, said “it’s a wonderful thing”.
“This is the 10th year from a sort of madcap idea of getting a vintage Heidelberg printer, and putting it in a field without really being sure how that was going to work,” Mr Salmon told PA.
“It’s a ridiculous thing that we literally put this 70-year-old Heidelberg press – it’s such a beautiful machine – in a tent in the theatre and circus area, and print the paper through the night and people can come and pick it up.”
Articles in Thursday’s paper ranged from DJ Eliza Rose’s top tips for debut ravers to a Q&A with Joe Wicks on what to expect from his Friday morning workout in the Theatre & Circus Field, as well as a piece from Pete Paphides, British journalist and broadcaster, delving into his 30 years of memories at Glastonbury to pick his favourite vantage points from across the site.
During printing, many festival-goers come to watch the press on stage in its tent, where Glastonbury poster prints are sold and papers are distributed for free.
“The first papers come off the press just after midnight and there’s always people buzzing around,” Mr Salmon said.
“The printers are just legendary people, all of whom have been in printing all their lives, who are just amazing.
“You see people coming down who used to work in Fleet Street 50 years ago who are just so excited to see a Heidelberg – and you get five and six-year-olds whose minds are being blown that this thing is kind of spewing out tens of thousands of copies of a newspaper.”
“It’s just a lovely, uncynical, very Glastonbury thing, just trying to make the experience a bit more special,” he said.
