May the Eisteddfod play on
WHILE there are still elements of the Eisteddfod still to be staged, the main bulk of the performance classes concluded yesterday, bringing an intensive two weeks of performances in the Beau Sejour theatre to an end.
The Eisteddfod is going through changes while simultaneously trying to retain much of its traditional charm, which has changed little in the past half a decade.
Its new committee, now a company LBG, is looking to ensure greater accessibility to all those wanting to participate, and trying to move more engagement online.
But while the governance of the festival evolves, community participation remains key. As the Bailiff, as Eisteddfod president, has said: ‘Every year the festival is a shining example of the huge array of talent we enjoy across our community.’
It’s one of the reasons why year in, year out, the Guernsey Press is consistent in our support for and coverage of the Eisteddfod sessions.
Arguably it’s probably not appreciated enough live by audiences, beyond parents and wider relatives.
But the community’s thanks are due not only to the many performers, but to the organisers and those behind the scenes at the long-running festival.
The Eisteddfod may be changing gradually, but its core values remain, and may its performers play on for many years to come.